Nus (2005-2006)
During the embrace,
the couples are stripped, abandoned, loose. The tension is there: delicious
or painful because desire, play, repulsion are interwoven. The bodies
fight or play with the desire of the other. The couple is also the ambiguity
of being two but sometimes alone. Out of context, these anonymous bodies
become icons in their touching sincerity. The idea of improvisation arose
out of a conversation with Stanislas Nordey, a director of theater. It
allows the model to turn around an idea with all possible freedom and
to generate new interfaces. In the variation on the same theme, the subject
unveils all its riches. This series is also to approach the language of
the body via a recurring theme: the melee in the confrontation with the
other. The garment is there, the place of negotiation, the encounter with
the other. "To remove the tinsel from the other" is also to
reveal it to itself and offer it with passion the possibility of a freedom.